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Two women reflect on and reflected in their teen writing

By Dan Mac Alpine
Melrose Free Press - January 26, 2001


     It's not often someone can pick up a book and read his or her own reflections on crossing from adolescence into adulthood. J.D. Salinger qualifies. And, now, so do Melrose High School grads Shana Onigman and Amanda O'Laughlin.

Both 22-year-old women, recently graduated from college and making their way in the world, had writing selections chosen for the book, Teen Ink: Our Voices, Our Visions. The book is a compilation of teen reflections, short stories and essays published by Health Communications Inc. of Deerfield Beach, Fla. The publisher culled final selections came from over 300,000 submissions to Teen Ink Magazine over the past 11 years.

Onigman and O'Laughlin made to the compilation via different routes. Onigman wrote regularly and had several pieces selected for the magazine. O'Laughlin related one life-changing event and was done.

"Most of the kids who submitted weren't writers per se," explained Onigman. "But they were people who had something to share, a life experience."

In that sense, O'Laughlin was the more typical Teen Ink contributor. Her lone essay, "Exit: My Hero," relates her experience of watching and nursing her once-active uncle - an uncle who took her shopping and sightseeing in the city, "to the opening of the new Tower Records" - as he lived with and then died of AIDS." I never wanted to be a writer. It was my own therapy, about getting through it without really knowing how," she said.

Onigman, on the other hand, made numerous contributions to the magazine during her high school years and it played a pivotal role in her choice to study writing at Bennington College. "I was so excited to get my first story published. I think it was about a falcon. I think it was in 1993. I read it in English class and, back then, you got a $10 check. At 13 that's such a big deal."

In addition to finding an outlet for her urge and ambition to write, Onigman said the magazine was a great way for her to meet other teens. "Kids would write in response to what you wrote and I would write back. I developed some good, six-year friendships through the magazine," said Onigman.

The piece selected for the book surprised Onigman. "I didn't really like it that much," she said. The short story, "Ophelia and Me," places the main character driving a car and discussing various aspects of going insane with a passenger. An O. Henry twist at the end of the story then compels the reader to rethink the story completely.

"I had just read a lot of stuff that seemed to include insanity," Onigman explained. "That's where Ophelia comes from. And I was just learning to drive and I was afraid of driving. I was wishing I could do it because of the freedom of driving, but I was scared. Then I started thinking, 'What if I could have that independence.'"

When asked if the prospect of driving and taking on new responsibility was a possible allegory for growing up, Onigman paused for a moment and then smiled, "I'd never thought of it that way. I didn't write it that way intentionally."

For O'Laughlin, the essay on her uncle's death became only part of her grieving process and commitment to her uncle's memory." I learned a lot from Jay and his acceptance of his death," said O'Laughlin. At one point in the essay, she discusses the concept of telling her uncle it was "OK to die."

Today, six years later, the idea surprises her. "Now, at 22, I don't remember thinking that at that age. I didn't realize I had evolved there yet. I was surprised with myself," O'Laughlin said.

O'Laughlin does remember Jay's inspiration, of how he lived until his death. She wrote: "Jay had decided early that he would not let AIDS lick him. He went to schools to teach kids the dangers of this disease, spoke at conferences, worked with the AIDS Action Committee and, most of all, worked with our family."

In turn, the family made a pledge to keep working for AIDS causes. "We still do the walk for life every year, even my grandmother at 86. The little we do is the best we can do," said O'Laughlin.

During her high school years, O'Laughlin spoke about AIDS to the health classes since they didn't have an official AIDS speaker to come speak to the class. "I got a lot of homophobic reaction, especially from the guys," she remembers. There was also a lot of denial, classifying AIDS as a "gay disease," and those who thought Jay had deserved his death because of his own choices.

O'Laughlin persevered, never saying how her uncle had contracted the virus. "I didn't want people to get hung up on that. I just wanted them to see that I was here and I was someone who had lost somebody she loved very much to this disease. It was difficult to see the stereotyping and the prejudice, but if I reached one person it was enough for me."

Though she studied theater and anthropology in college, O'Laughlin now works at the Visiting Nurses Association and is considering a career in some form of health care. "Acting isn't a profession that makes much of a difference," she said.

Onigman seems similarly disaffected with her courses of study in college: writing and theater. "I don't even keep my journal anymore. I was in London studying and I saw, like, 40 plays and I just didn't think any of them were any good. Saying someone else's lines or someone saying my lines ... I just lost interest."

Another interest has taken root for Onigman. She hopes to become a cantor - a profession, that in a way, combines theater, writing and her vocal talent which she pursued as a serious hobby in college." I sang for three years during the high holidays at my temple and I enjoyed it very much. And I began thinking, 'What if I became a cantor?' I've had a revelation that this is where I belong."



"It was easy for her to be dreamy. It's always easy to be dreamy on a rainy October day if you're in the passenger seat. If you're in the driver's seat, you've got to watch the road, and you can't just dream and wonder about anything, unless you've got really good car insurance and not much interest in seeing tomorrow."

-- Shana Onigman, from her short story "Ophelia and Me," in the book, Teen Ink: Our Voices, Our Visions.



"Although it has been hard since he died, I have thought a lot about how Jay affected my life. He taught me about love, strength, and courage. If it weren't for him, I would not have been strong enough to make it through. He was and always will be my hero. No one in the world could have had more courage."

-- Amanda O'Laughlin, from her essay, "Exit: My Hero," in the book, Teen Ink: Our Voices, Our Visions.





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