Ekkehart sees her for the first time on the bridge, in the carriage he has ridden for four frostbitten nights. The moon is a sliver of old corrupted lime, casting its light onto a city pearly with cold. Snow falls in dagger crystals, knifing through the air. It slashes at the top of the carriage, at its fur-lined curtains. It slashes through them and into Ekkehart’s lungs, and he coughs.
Ekkehart’s teacher turns, ancient and worn, his pale face a desiccated star. He speaks in a low rice-paper hum. “This wind carries pestilence. You of all people know.”
Ekkehart knows, and pulls the curtains tight. He tries not to remember, but still the images flow, like the ebb of blood in the heart-tides, like the rush of textures when he feels for disease. Mother bent over a bubbling brew, in the time before he learned to feel, the happy time.
Continue Reading »