The Dark Knight Rises
I guess I might as well be honest while I am here: I miss indie-minded Christopher Nolan. I miss that stylized simplicity of Following, the complexity of simplicity of The Prestige, the non-linear emotional/cerebral rollercoaster of Memento, and the guilt laden suspense of Insomnia. That is not to say I don’t like his Batman films; in fact, I love them. All that independent, creative, and mind bending sensibility is definitely imbued in his Batman trilogy (to some extent, with a sledgehammer), but you can tell that both he, as well as some of his audience, cannot wait until he makes another small, non-humongous budgeted film. It is his desire to give his stories and characters layers that makes his Batman films so interesting. The fear and desire in Batman Begins and the internal conflict of vigilantism in The Dark Knight (with other political subtext, of course) are what make the films so compelling.
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